Searching for Identity in Iñárritu’s Bardo
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.

Welcome to this fantastic compilation of some of the all time favorite ahows on CITV, specially selected for children over 5 years. Hosted by CITV presenters Danielle and Stephen, this is CITV at its stimulating, hilarious and entertaining best. Enjoy!
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.