
Kwame, an African man, wants to travel outside of his compound, but he must first get a visa from a Caucasian gatekeeper who controls movements in-and-out of the house. It is only with the help of a Caucasian girlfriend that he succeeds.
This is not a slavery story, it is a freedom story. The viewers only see Harriet as a slave for the first few minutes of the film. To me, it felt like watching the origin story of a superhero…which is both good and bad.
Supergirl is a decent movie, anchored by great action scenes and a great lead performance
"Terrace House" improves on the standard reality TV format by affording its cast privacy, freedom, and respect.
Mai yells what every parent dreads hearing from their child: “tao ghét mày” (“I hate you”) and runs from the scene, where Hai discovers that Mai was telling the truth about the wallet.
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.