‘Moxie!’- Amy Poehler’s Attempt at Feminist Film
Based on the novel by Jennifer Mathieu and directed by Amy Poehler takes on intersectional feminism.

The quiet agony of a mother whose daughter grows up to pursue her own life is chronicled in this realistically presented French drama. The Circuit Carole of the title refers to a motorbike racetrack. Jeanne and her 20-year old daughter Marie share a small apartment in a working-class Parisian neighborhood; the two live harmoniously, but the daughter is restless and anxious to set out on her own. Marie then takes a job in a northern suburb and their lives are forever changed. The racetrack is near her work; Marie is enthralled by the racers and their fast machines. Along with her new boyfriend, a racer, Marie begins riding herself. She then moves out of her mother's flat, leaving Jeanne bereft of companionship and a purpose in her life. Her silent, deeply internalized grief eventually drives her completely mad.
Based on the novel by Jennifer Mathieu and directed by Amy Poehler takes on intersectional feminism.
The height of subversive horror cinema is Jennifer’s Body. No, I will never budge on that. Yes, Cabin in The Woods is funny, Scream is very well made, and the Scary Movie franchise is …. there. But nothing is quite as satisfying as watching the teenage succubus that is Jennifer Check rip apart boys. In the post #metoo era where the industry is far from changed, watching revenge flicks like these is probably one of the most cathartic experiences due to the slow-moving progress being made.
“Reboot” can be crass and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.
The 'Shaft' remake fails to capture Blaxpoitation's rebellious spirit.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
Much more than a meme, 'Barbenheimer' actually diversifies viewer bases and spreads the important message of both films wider than they otherwise would have!