‘Dog Lover’ Review: Strange and Generic But Witty For the Fetish Community
We all have our kinks and fetishes and what turns us on the most. Dog Lover details a serious (and at times unhealthy) look at a fetish that might go a little too far.

# Love 100kg The story follows two friends who struggle in their quest to find true love. Wati (Sharifah Amani) and Dian (Sherry Al Hadad) are two women who are lacking in physical appearance. Wati, who has a tomboyish personality, feels she is unattractive in the eyes of men. Meanwhile, her friend Dian has a serious weight problem. This causes Dian to constantly feel insecure about herself compared to women who are much more beautiful than her. After Wati breaks up with her boyfriend, Faliq, Wati starts going to the gym as a hobby. At the gym, Wati meets the gym owner, the handsome Shahril (Zain Saidin). From that day on, Wati becomes increasingly obsessed with Shahril. Almost every day, Wati tells Dian about Shahril, which causes Dian to become sick of Wati's obsession with him. However, at the same time, Dian is facing a crisis with her boyfriend, Khairul (Fezrul Khan), who works as a pilot.
We all have our kinks and fetishes and what turns us on the most. Dog Lover details a serious (and at times unhealthy) look at a fetish that might go a little too far.
Personalities clash and tempers fume in a family-run Chicago restaurant
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.
Dashing in December follows the tried and true outline of a traditional holiday romance, with a less traditional middle-aged gay couple as the film's romantic focus.