TIFF ‘22 Coverage: ‘The Fablemans’
'The Fablemans' is Spielberg's most personal work to date, the cast delights audiences at the TIFF premiere.

Stéphane Marti is a teacher and film-maker who, since 1976, has been expounding the plasticity of experimental cinema, freeing it from the dominant codes of narrative cinema. An avid defender of Super-8mm film (which he has been using for 30 years), he has fought for the acknowledgement of its excellence as a film-making tool. His work, which screens in festivals and at international events, has been the subject of numerous interviews and articles. Flamboyant, baroque and sensual, his work revolves primarily around the question of the body and the sacred.
'The Fablemans' is Spielberg's most personal work to date, the cast delights audiences at the TIFF premiere.
“Jumanji - a game for those who seek to find, a way to leave their world behind...” A nostalgic classic that remains unnerving, "Jumanji" draws audiences into a chilling adventure.
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
Based on a true story, when his beloved dog goes missing, the owner embarks on an incredible search with his parents to find him.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.