'Alice' Doesn't Live Here Anymore
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'

Frustrated by a sudden cold spell, two butterfly hunters make the best of a failed expedition after years of growing apart.
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'
Dracula evolved from a person to a monster and then from a monster to a person.
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.