Chris Rea made on of his last concerts before he was to sick to sing at the Baloise Session in late october 2017. And the Track list was: 1) The Last Open Road, 2) Happy on the Road, 3) Josephine, 4) Easy Rider, 5) Julia, 6) Money, 7) Looking for the Summer, 8) Stony Road, 9) The Road Ahead, 10) Stainsby Girls 11) On the Beach.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
Mahavatar Narsimha (2025) brings the epic tale of Hiranyakashipu to life with stunning animation, intense action, and a bold retelling of this timeless mythological drama.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
