Chris Grace: As Scarlett Johansson (2024)

America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.

If you were to watch it on streaming when you have nothing to do, it’s still probably a giant waste of time, but you could do far worse.  Paying $18 for a movie ticket and who knows how much for concessions turns this from an exercise in boredom to an exercise in frustration. 

Tom Clancy's Without Remorse has everything a movie director from the 80’s could wish.

Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

When they’re young, they’re America’s darlings but, when they become teens and adolescents, they’re instantly perceived as harbingers of immorality. They’re Lindsay Lohan, Macaulay Culkin, Justin Bieber, and Britney Spears. But, despite what many media outlets, politicians, and the general public may think, they are human beings above anything else. The new Billie Eilish documentary, Billie Eilish: The World’s A Little Blurry, proves this — showing the trials, tribulations, and humanity when growing up with all the world’s eyes on you.

Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space.