A group of diverse individuals are suddenly taken from their homes and flown via helicopter to a futuristic bomb shelter in the desert, nearly two miles below the surface of the Earth. There they learn that a nuclear holocaust is taking place and that they've been "chosen" by computer to survive in the shelter in order to continue the human race. The shelter is designed to allow the people to exist underground comfortably for years, but they are faced with a threat nobody could have predicted: a colony of thousands of bloodthirsty vampire bats finds a way into the shelter and launches a series of vicious attacks where they claim the humans one by one.
Sutton Roley
Director
Jackie Cooper
Raymond Couzins
Alex Cord
Steven Mayes
Richard Jaeckel
Major Gordon Ellis
Bradford Dillman
Peter Macomber
Pedro Armendáriz Jr.
Luis Cabral
Diana Muldaur
Alana Fitzgerald
Lincoln Kilpatrick
Woody Russo
Gwenn Mitchell
Carrie Draper
Barbara Babcock
Dr. Lenore Chrisman
Cristina Moreno
Kristin Lerner
Nancy Rodman
Claire Farraday
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
Here are some of our picks for inclusive Black love stories in film and media. We hope you enjoy these tender love stories and beautiful depictions.
A pampered dog who gets lost and has to learn to live on his own while being flexible with surroundings.
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.