"Mercy" is a Pro-AI Sci-Fi Thriller that Barely Makes Sense
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.

A small Russian town is prospering, because it's main industry is the chocolate factory. But this kind of prosperity comes at a very high price. Everybody in this town is eating plenty of chocolate, and everyone is suffering from diabetes. There is a thick smell of chocolate in the air, and the local river has brown water, that is filthy with chocolate pollution. So people decided to put an end to their suffering and to shut the chocolate factory down. But the chocolate business is so lucrative, that the factory is expanding, and rapidly increasing the production of chocolate. Conscious citizens are terrified, and an anti-chocolate riot is brewing.
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.
This animated kids' movie shows viewers two different species--jungle animals and aliens--and how both species coexist.
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.
We all have our kinks and fetishes and what turns us on the most. Dog Lover details a serious (and at times unhealthy) look at a fetish that might go a little too far.
The film follows the biblical story of Moses, from his time as a prince of Egypt, to a leader for the people of Israel. It’s a film that works brilliantly in animation, and is one that both children and adults can; enjoy despite its religious contexts, it is friendly to general audiences.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.