The Vampire Boy in Liar, Liar, Vampire
Liar, Liar, Vampire takes a bite out of clichés in romances between vampires and teenagers. Anything but boring and dripping with fun, it's a Halloween story with a twist.

A lone ballerina dances with her reflection in Écho, a film directed by world-renowned choreographer Édouard Lock. Interpreted by the principal dancer of Les Grands Ballets Canadiens, Rachele Buriassi, this intimate solo piece was inspired by feelings of solitude experienced in lockdown. It begins with a ballerina in the familiar surroundings of a theatre, but the camera soon closes in on the figure and renders it almost abstract, disrupting one’s sense of time and space. An evocative score by James O’Callaghan enters into dialogue with Buriassi’s movements as she slips in and out of shadow and light, illusion and reality.
Liar, Liar, Vampire takes a bite out of clichés in romances between vampires and teenagers. Anything but boring and dripping with fun, it's a Halloween story with a twist.
The trainwreck is hot but tame.
The height of subversive horror cinema is Jennifer’s Body. No, I will never budge on that. Yes, Cabin in The Woods is funny, Scream is very well made, and the Scary Movie franchise is …. there. But nothing is quite as satisfying as watching the teenage succubus that is Jennifer Check rip apart boys. In the post #metoo era where the industry is far from changed, watching revenge flicks like these is probably one of the most cathartic experiences due to the slow-moving progress being made.
'Barbarian' is horror infused with something ridiculous that makes the whole thing entertaining.
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)
With 'The Last Movie Stars,' filmmaker and fanboy Ethan Hawke cracks the facade of Hollywood's last golden couple, but reveals a couple who were committed to each other before all else.