Parasite and Capitalism: What the Film Says About the Pursuit of Wealth
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
Chipée
A businessman, Masson, who likes to party, wants to force his partner, Chabrat, a hard worker on whom the success of their fashion store depends, not to leave Paris. For this, he agrees with a young cabaret dancer, Zizi so that she pretends, for a fee, to fall in love with Chabrat who, more than anything, wants to be loved for himself. But Zizi soon finds herself in her own trap: she is “snatched”.
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A businessman, Masson, who likes to party, wants to force his partner, Chabrat, a hard worker on whom the success of their fashion store depends, not to leave Paris. For this, he agrees with a young cabaret dancer, Zizi so that she pretends, for a fee, to fall in love with Chabrat who, more than anything, wants to be loved for himself. But Zizi soon finds herself in her own trap: she is “snatched”.
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