“Artemis Fowl” is Simply Foul
The definition of the word foul is “offensive to the senses,” which is a pretty good summation of the new Disney+ film, Artemis Fowl

In Chinese Ink, composed from a series of shots taken with an iPhone, Salhab expands questions of location and the act of filmmaking itself. Some images were captured in the moment ‘without quite knowing why’, and others were filmed at an earlier time ‘with no apparent motive’ or as a result of specific circumstances. Salhab jotted down notes all along, excerpts from books he read or reread, sounds he recorded and preserved. He approached this film essay as a work in progress with no preconceived structure; instead, he let the work gradually reveal itself. All at once, in terms of ‘place’ and his relationship to ‘here’, with all its entanglements, it became clear to him that he needed to invoke the ‘elsewhere’, to start with the first place, his childhood in Senegal, and ‘retrace’ certain steps: his connection to armed struggles, the Palestinian cause, the present moment.
The definition of the word foul is “offensive to the senses,” which is a pretty good summation of the new Disney+ film, Artemis Fowl
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
A documentary film about a disabled female athlete who builds courage within herself and seeks faith.
Disney remakes have often gotten a bad rap for their consistent reliance on the originals and overuse of CGI. However, Mulan is a remake that is able to transcend beyond Disney's other remakes with a confident and bold earnestness.