Chicken Of The Dead 

The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets

Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.

The Owl House has swiftly become one of Disney’s beloved cartoon series.

Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.

Neo Sora left a realistic and yet hopeful notion for the near future and the now.

Spotlighting the legacy of the legendary Raymond Lewis through the love of a devoted daughter.