“The Shining” is Still Shining 40 Years Later
Overall, The Shining is a great film to watch for its atmosphere and setting. While the characters’ portrayals could’ve been more accurate to the book, they’re all still memorable nonetheless.

Paolo and Carlo are good friends. The first introverted, disillusioned and intellectual, while the other is happy if shallow. Despite their differences they share accommodation. Paolo runs an “alternative” kind of library; Carlo plays the violin in a little band. Their lives go on peacefully, when suddenly Paolo falls in love with one of his a customers - Lili, an amateur actress - whom he decides to take home. Carlo doesn’t react well to the fact he’s got to share with a third person, so he comes up with a weird idea - he flirts with the new girl and manages to seduce her. Paolo thinks his best friend is now guilty of a real betrayal, while Lili is undecided: she’s attracted by both the culture of Paolo and the physical attraction of Carlo. This love triangle ends when Paolo tries to commit suicide, Carlo feels guilty and Lili leaves them both, returning to her previous life and still hoping to find her one true love.
Overall, The Shining is a great film to watch for its atmosphere and setting. While the characters’ portrayals could’ve been more accurate to the book, they’re all still memorable nonetheless.
'Reservation Dogs' is stacked with an array of Native American performers and crew telling their own story.
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
An adventure that centers on freedom and captures viewers' hearts.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.