Sakshi is eight months pregnant with her first child when she and Hemant are forced out of their home. They escape from the city and seek refuge in a house located deep inside sugarcane fields. The house is ridden with dark secrets that start unravelling as the story unfolds, posing a threat to Sakshi and her unborn child. Even as Sakshi tries to save herself and her unborn baby, scary sightings of three mysterious kids and a charred monster coupled with an eerie lullaby, emanating from an old transistor, wreak havoc with her sanity.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
Greta Garbo, a queer actress playing a real-life queer Queen is the best of both worlds.
If you enjoy the bizarre, silly and entertaining world of the horror B-movies and want a break from the nuanced and poignant big budget horror releases, I have a list of gore-fests from the last ten years to enjoy this October.
2025 has just about wrapped, so we’re taking this time to celebrate the most inclusive films that came out this year. Graded on Gender, Race, LGBTQ, Disability, and more
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
