The most dominant team in Premier League history. That's what the stats say as Chelsea stormed to their fifth title with a record-breaking run in pole position. Manager, José Mourinho assembled a squad that combined devastating attacking invention with ruthless determination in defence. Irresistible force and immovable object. Among the highlights of a memorable campaign were the genius of Eden Hazard and the flair of Oscar and Willian complemented by the driving force up front of Diego Costa and the midfield mastery of Cesc Fàbregas. Nemanja Matic, a colossus in front of the best defence in the country, led by the indomitable skipper, John Terry, whose consistently outstanding performances have rolled back the years. Ten years on from José's first incredible season in charge, the Blues replicated that double triumph by also capturing the Capital One Cup at Wembley against London rivals Tottenham Hotspur. The foundations have been well and truly re-laid.
Housefull 5 attempts something bold with two endings — but does the gamble pay off? Read this spoiler-filled review for a breakdown of both versions, standout moments, and why it might be the franchise’s most forgettable entry yet.
This groundbreaking summer blockbuster proves that diversity enhances the action genre.
It’s easy to dismiss Joel and Ethan Coen for writing from the world they build from outside the box of overarching Hollywood stereotypes, but their inability to compromise their collective vision is precisely what makes the simplistic nature of their world-building and characters so brilliant. It’s also what led Fargo to collect seven Oscar nominations and two wins for Best Original Screenplay and Best Actress for Frances McDormand’s brilliant portrayal of the sincere, motherly detective whose wholesome demeanor seizes the day over the selfishness, corruption and evil of the men who don’t comprehend that there’s more to life than a little money.
The relationship between Will and Sean is the best part of the movie. It’s always a delight to see Robin Williams on screen
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
