Short Film Review: “Michael Solace” Contemplates Selling Out and Selling His Soul
The film blends reality and the supernatural world together, leaving the viewer unsure of what’s real and what’s merely a figment of Michael’s agitated imagination.

The 2008/09 season will go down as one of the most dramatic and exciting in Chelsea FC's long and illustrious history. A mid-season change of manager, a devastating departure from the Champions League and a famous victory in The FA Cup Final are just some of the moments to remember. After a scintillating start to the season which saw the Blues undefeated until late October hopes were high that the club could reclaim the Premier League crown and secure an elusive first Champions League title. But a slump in form and fortune saw the club's title aspirations disappear along with manager Luiz Felipe Scolari. The arrival of Guus Hiddink energised the team and revived ambitions of securing a trophy but with the Premier League just out of reach and hearts broken in the Champions League, their perseverance was rewarded with a fantastic win at Wembley in The FA Cup Final ensuring another season of silverware for the mighty Blues.
The film blends reality and the supernatural world together, leaving the viewer unsure of what’s real and what’s merely a figment of Michael’s agitated imagination.
"The Old Guard" doesn't break ground, but it sure does bust boredom and fictional heads as an entertaining action romp on Netflix.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.
Is Parasite a Horror Movie? Bong Joon-ho, one of South Korea’s parasite horror movies and most prolific filmmakers, decided to grace the world with one of the bizarre and fascinating movies of 2019.