Making a Killing in 'Killers of the Flower Moon'
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.

An American boy and girl, spending six months in Kenya with their scientist parents adopt a cheetah, only to realize that they must set it loose so that it can learn to hunt and be free. However, when the animal is captured by poachers planning to race it against greyhounds, the two city kids, together with a young African goat herder they befriended, head off into the wild to rescue the cheetah.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.
It's sexy, regardless of what else is going on.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
Remember when there was this amazing comedy titled "National Lampoon's Vacation"? To this day, it is a true classic of the genre and certainly put a new spin on precisely what KINDS of insanity could occur when taking the fam on the road. Then, like with so many successful films, there was the sequel (which for me was even MORE of a classic than the original!). However, the third film emerged....and then a fourth. Suddenly, the luster was gone and disappointment set in.
This list was made with the intention of celebrating comedic craft and a love of seeing more women of colour and newcomers on the scene.