Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Zoe's deteriorating marriage leaves her feeling isolated and longing for connection in the aftermath of a personal trauma. To escape loneliness, she blindly stumbles into a passionate affair, which ultimately leads her down a deadly path.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.
In ‘The Owl House’ protagonist Luz Noceda stumbles across a portal to another dimension where magic exists, called The Boiling Isles.
Friendships are tested when two girls have a crush on the popular boy at school.
The tale of the Snyder Cut will undoubtedly go down as one of the most fascinating stories in modern film history. It is one of the rare times that movie fans were able to rally together and champion an issue so much so that it actually came to fruition.
Directed by George Miller, Thunderdome continues to follow the titular character through post-apocalyptic Australia.