Garfield the Movie: A Failure in Adapted Characters
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.

Men Sheng (Li Lei) may be constantly getting into trouble because he speaks up when he shouldn't, but he's far from stupid. It's just that he has a lot to say, and says it incessantly. However, when his family runs into trouble, the young chatterbox manages to sort things out. His father is the village treasurer, and though he has only been accused of embezzling, the villagers have already ostracized him and everyone in his clan, without giving him a chance to clear his name or be properly convicted. Some other family difficulties set village tongues wagging, too, but Men Sheng, whose nickname is "Chatterbox," soon sets them wagging in the right direction.
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.
"The Haunting of Hill House" isn't your typical horror story. Based on a novel by Shirley Jackson, Netflix's masterpiece and limited horror series takes you on a emotional rollercoaster ride, by turning our perception of mental illness on its head. It's an unforgettable story about a loveable family, who grapples with tragedy and love after living at the foreboding Hill House.
“Trust your gut" is one of the most common pieces of advice you’ll receive during your lifetime. And as a person inclined to trust my intuition above all else, it’s the most common advice I find myself giving in real life and in my online socialising. But what happens when your gut is trying to warn you that something is seriously wrong without you being able to identify what triggered it in the first place? How can you act on a feeling or make it go away when you don’t have a clue about what could be wrong? How can you trust your intuition when you don’t know what makes it act out in the first place?
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.