The Critters Are Going 'Back to the Outback'
Tired of being cooped up in their cages, the critters escape the Australian zoo and try to find their way to the outback.

The Northern Bank chain was owned by the National Australia Bank. Diana, a young Australian police detective who is in Belfast at the same time, seizes the opportunity to investigate the biggest crime of her career and prove herself to her misogynistic bosses back home who have passed her over for promotion. Diana is teamed with Crawford, a gruff, veteran Northern Irish police detective who does not want her help. As the case takes one more bizarre turn after another, Diana and Crawford learn to grudgingly respect each other. As they almost give up hope of catching the criminals, Diana comes up with an ingenious plan which will make the stolen millions worthless.
Tired of being cooped up in their cages, the critters escape the Australian zoo and try to find their way to the outback.
This is a movie that combines a ghost story, revenge tale, and serial killer obsession into a cinematic experience that uses your fears against you.
Seeing that the film was essentially his first big, mainstream feature, and with garnering a leading role — portraying the revolutionary ball-player Jackie Robinson — Boseman, without question, delivered a performance that is still so incredibly moving, respectful, genuine, and true to the core of his obviously sincere, artistic heart; and with that, it is indeed so saddening to see him pass.
This animated kids' movie shows viewers two different species--jungle animals and aliens--and how both species coexist.
In Stowaway, director Joe Penna narrates the story of a starship crew (Anna Kendrick as Zoe Levenson; Toni Collette as Marina Barnett; and Daniel Dae Kim as David Kim) struggling with serious technical problems on a two-year mission to Mars. During the trip, they discover aboard the presence of Michael (Shamier Anderson), a stowaway who jeopardizes everyone’s life on board.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.