Extinct (2021): Fresh Donuts, Half Baked Morals
The plot lags, the moral lessons are misguided, but are those fluffy little donut creatures adorable? Yes. Yes, they are.

This is the story of how a prince became a king, a revealing portrait of our new monarch across the seven decades he spent as heir to the throne. It’s a journey from cradle to crown told almost solely in his own words, from film and television recordings to private home movies and featuring a wealth of material, some of which has never been seen before. As well as drawing on home movies from the Royal Collection, the film-makers were given exclusive access to sequences featuring the prince, shot for the landmark 1969 film Royal Family, including private unseen moments.
The plot lags, the moral lessons are misguided, but are those fluffy little donut creatures adorable? Yes. Yes, they are.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
When Juana tries real sushi for the first time, she is immediatley smitten by it and discovers a passion she never knew she had.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.