‘También la Iluvia’: A Lesson in Shallow Representation
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.

Paris, 1955. Fraudster Georges de Valera, hiding from the police, with the help of a correspondent for the reactionary newspaper Sibilo, poses as Minister Dubov, who allegedly escaped from the Soviet Union. Sibilo's daughter explains to Georges the purpose of the planned action: to slander progressive journalists with the help of the false Dubov. De Valera, not wanting to become a participant in the provocation, goes into hiding. But instead they find another candidate for the role of Dubov...
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.
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