The Last of Us is Flipping the Script For Game Adaptations
An apocalyptic tale captivates the nation as it teaches us to love even in the hardest situations.

Popular but lonely Bollywood actress, Rani, lives a fairly isolated life, through publicly she is thronged by fans, and has taken to drinking alcohol in a big way. Thus intoxicated she runs her vehicle into a young man named Pappu, who suffers minor injuries. He recognizes her, and tells her that he is her number one fan, and will do anything for her. She wants him to kill her double-timing boyfriend, Rahul. He agrees to do so, provided she kills his overbearing, aged grandmother, to which she agrees. After Pappu completes his gruesome task, he meets with Rani, only to be told that she does not recognize him, but when presented with proof, she relents and agrees to fulfill her part of this trade.
An apocalyptic tale captivates the nation as it teaches us to love even in the hardest situations.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
A Christmas tale that everyone is wishing for, and that everyone will remember.
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
A gentle coming of age story, Water Lilies takes its time in exploring what it’s like to be a young girl trying to make sense of her sexuality in a heteronormative world.