Urdu, the Hindustani language whose words resonate music, is fast dying. So is Babba, an old Urdu poet who is dying an unknown death. Having shut his eyes to the callous world that weighs art with money, he has woven a charming little world of his own. Babba's state of nonchalant bliss inadvertently drives his daughter Minni into a world of bitter silences. And, across the road lives Pappan, a small-time debt-ridden publisher who is eyeing Babba's treasured verses and his beautiful daughter. A self-indulgent, romantic old man, a stoic but essentially soft-hearted daughter and an opportunist but naive publisher. Amidst all this, Babba, Minni and Pappan struggle to keep their culture alive, their ethos alive, their language alive, their love alive ... in vain ...
While it is more than established that Halston’s life is far from a fairytale, the narrative suffers as a result of the decision to revolve more around sex and drugs than his artistry, it likely does a disservice to his cultural impact by pulling focus from his achievements.
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In a post-Gamergate media landscape, it's ambitious to have a film confront the harsh reactions to women in gaming from a comedic lens.
He’s a nine-time Oscar host and a revered comedy legend. He’s an up-and-coming comedy star who was a voice in the biggest animated movie of all time. So what happens when these two are forced to work together?
Richard speaks with Dia Frampton about some of her experiences with acting and music.
