TIFF ‘22 Coverage: ‘My Policeman’
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.

Alice has lost her father and one leg in a car accident. She lives with her mother (Jeanne) and grandfather in a farm. Summer holidays start and she can't go to the sea with other children of the village. Then she meets Vincent, a younger boy who stayed in the village as well, and Alain, the mayor's son who's back in town to train his athleticism female club. Alice would like to run with her prosthesis but Jeanne doesn't want her to run nor to approach Alain.
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
The live-action remake brings adventure and shows viewers why representation is important in a Disney Princess movie.
The film is bogged down with one-off rain monster threats that always come to a quick and undramatic end