Sam Connor kidnaps his young daughters, April and May, sells them to strangers, and accidentally kills his wife when she attempts to intervene. Sixteen years later, April is an out of control outlaw who has come into a life of drugs and crime, while May has grown into a straight laced, refined woman. The plot thickens when April avenges her mother's death by killing her father, and May is sent to jail as the prime suspect. Fortunately, Detective Arman, instantly taken with May, fights for her innocence and tries to get her out before she is taken down by other hostile prisoners.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
While subverting the conventions of Golden Age cinema with the characteristics of a slasher, Pearl studies the delusions of grandeur inspired by the movies.
Disney movies have taken a bit of a downward turn recently. How come?
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.
"Terrace House" improves on the standard reality TV format by affording its cast privacy, freedom, and respect.
