In 1988, 20-year-old Céline Dion won Eurovision for Switzerland with the song ‘Ne Partez Pas Sans Moi’, a moment that kickstarted her international career and propelled the young Celine to world fame. This documentary looks back through the archives at an event that changed the Quebec singer's life, with interviews from the song’s composer as well as from Scott Fitzgerald, the British singer who was runner up at Eurovision 1988, beaten by just one point.
Overall, “Dark Fate” is a run-of-the-mill flick. Together, Reyes and Davis have excellent chemistry, but their characters’ story is nothing new, lacking surprise and deep emotion. During the middle points, the film drags considerably, and when the action hits, it feels consistently tight, eliminating the rhythm and fluidity of conflicts.
Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.
Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.
'Tuca and Bertie' (2019) is an animated series centering around best friends of the same name as they traverse the challenges of their thirties.
If “Good Time” was a lean exercise in suspense, “Uncut Gems” is an ongoing panic attack. It handcuffs us to an immoral man, made up of selfishness and unreliability. At every point, Adam Sandler connects himself to this idiotic soul, unearthing the misguided opportunism that comes with gambling addiction
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
