"Ma Rainey’s Black Bottom": A Lesson in Blues
With raw and unapologetic performances by Viola Davis and Chadwick Boseman, stories about the hardships of Black musicians are weaved in with The Blues.

In the early 1920s, Georges Laffont, traumatized by the horrific trench warfare, decides to leave his life behind and travel to West Africa. In the vast territories of Upper Volta he - with the help of Diofo, artist and also survivor of the Great War - try to recruit the villagers as labor for plantations in Ghana. But his adventure leads him to a dead-end, and he comes back to Paris desperate to find his place in the world.
With raw and unapologetic performances by Viola Davis and Chadwick Boseman, stories about the hardships of Black musicians are weaved in with The Blues.
Hulu continues its Summer releases with The Princess. This film follows the princess (yes, she is unnamed) as she attempts to escape her tower, refusing to be wed to a cruel man vying for the throne. Action-packed and snarky, this is a decently fun film if you need a fighting fix.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.