
Joris Lachaise takes us to Thiaroye, in a suburb near Dakar, to enter the psychiatric hospital accompanied by writer and filmmaker Khady Sylla who has been admitted there several times. She meets up with her doctor, familiar patients and others with whom she discusses the delicate issue of therapeutic methods and their link with colonialism. The project is clearly ambitious, it combines the description of a place with portraits of beings marked by suffering, it blends the spectacle of different types of care (religious, traditional, modern) with considerations concerning the multiplicity of such care since we are present during discussions between marabouts and modern doctors about the possible coexistence of their practices. What remains of madness? Anything but meagre remnants: chaos, an uproar of silence and diatribes, a disturbing world where every- thing remains to be deciphered.
The Brazilian filmmaker Alexandre Alonso’s Hunter is a film with a lot of ideas, but with very little holding those ideas together.
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.
'Hawkeye' episode five features Clint facing his sins, Kate having dinner with an assassin, and the reveal of the long-awaited [SPOILER].
'Selena: The Series' loses sight of the story's heart: Selena herself.
Shadow & Bone excels in natural story representation with powerful centering of culture. Jessie Mei Li stars as Alina Starkov, the feisty cartographer with kindness, innocence, and integrity, who comes to be revealed as the legendary summoner of light.