When the ailing husband of an adulterous wife is discovered bludgeoned to death and suspicions fall on the older woman's young lover, the newly widowed woman claims that it was she who was solely responsible for the death despite evidence that points to the contrary in this dramatic account of true-life 1935 trial that shocked all of England. Though notable evidence and strong suspicion suggests that the murder may have been of crime of passion perpetrated by the jealous lover only half her age, Alma Rattenbury (Helen Mirren) confesses to the murder of her husband and is soon brought to trial. Despite the fact that Alma is already being deemed guilty by the general public for her adulterous indiscretion alone, her lawyer, star attorney T.J. O'Connor (David Suchet), remains convinced that his client will eventually be cleared of all charges.
John Gorrie
Director
Helen Mirren
Alma Rattenbury
Harry Andrews
Francis Rattenbury
David Suchet
T.J. O'Connor
David Morrissey
George Bowman
Norma West
Irene Riggs
Oliver Ford Davies
J.D. Casswell
Clive Swift
P.P. Croom Johnson
Geoffrey Bayldon
Mr. Justice Humphreys
Gillian Martell
Joan Webster
Edmund Pegge
Constable Bagwell
David Simeon
Inspector Carter
Ben Affleck leads The Way Back, a seemingly cathartic film for him after the actor’s recent bouts with alcoholism and rehab. He plays Jack, a man fighting his own battles who happens upon coaching a boys’ basketball team, the same team he once played for back in high school.
What are we willing to walk through to see our dreams come to pass? Our minds might be so wholly alive with the passions we carry and the plans we make to see these things become all we wish them to be, yet life doesn’t always want to come alongside. Instead, obstacles arise, both physical and mental, which attempt to dissuade us or even prevent us from moving forward, stalling or stagnating the momentum to achieve what we desire. The age-old question remains….can we overcome? Or will we BE overcome?
In all honesty, “Black and Blue” is a satisfying experience, complete with solid craftsmanship. With the help of cinematographer Dante Spinotti, Deon Taylor (the director) creates a murky, lived in atmosphere.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.