Kill Bill Volume 2 Review: A Worthy Sequel With Hidden Depths
I highly recommend Kill Bill: Volume 2. In classic Tarantino fashion, specific sections of the film are a tad too long, but overall, it’s a wonderful piece of escapist fiction.

FRONTLINE and ProPublica trace the violence, protests and arrests stemming from federal immigration sweeps across the United States. The documentary examines the tactics, legal cases and impact — from Los Angeles to Chicago to Minneapolis.
I highly recommend Kill Bill: Volume 2. In classic Tarantino fashion, specific sections of the film are a tad too long, but overall, it’s a wonderful piece of escapist fiction.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
On the Road captures the bleak, hyper-masculine world of long-haul trucking in Northern Mexico, where anything can and will happen. A hard-boiled, neon-noir romantic thriller, it shows the gritty reality of roadside diners, truck stops, and truck cemeteries alongside the expansive, breathless beauty of the Mexican desert highways.
'The Last Black Man in San Francisco' is part fiction, part documentary. Jimmie longs for the old Victorian home that he grew up in — the house that his grandfather built. However, this home is now in an overpriced, White, San Francisco neighborhood.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.