"The World to Come": A Stunning Period Romance
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.

A group of hippies lives in Beirut, taking Al-Hamra Street as a spot for them and their adventures. Samy is one of their own who is trying to escape from his past and pushes his girl to live the same wasted life. In order to satisfy him, she agrees but pays a heavy price.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
What starts off as a success story for a single mother living below the poverty line, slowly begins to weave itself into a tangled web of greed, guilt, and destruction.
Korean culture shines in this Canadian export.
This little Netflix film was very inspirational. It passes the Bechdel test, and features a different worldview with rural Indian representation.
A simple question often sparks intense debate. Incluvie attempts a working definition for the beloved horror genre.