Horace Longstreet operates the most brutal drug empires in the south, dealing in peyote, cocoa leaves, laudanum and opium. When he learns a young transporter known as the 'Cat' has been skimming profits, he enlists the aid of a Pinkerton detective, now deep in the bottle and dying of tuberculosis. Against his will, Tyrone Burke must kill or capture the young offender, but the Cat has many lives and leads his pursuer or a 'Wizard of Oz'-type journey through the most dangerous and perverse opium dens, cat-houses and drag queen lairs in the 1880's south. In the end, however, is the Cat actually running for his life or has the hunted now become the hunter? A startling, final confrontation brings two forces of extreme evil face to face, gun to gun, and the result may change the entire direction of the future.
The biggest highlight of the film is easily the performance of Andrew Garfield. In his days since hanging up his Spiderman suit, Garfield has routinely churned out great performances, and Mainstream is no exception. He proves that he is willing to try anything and go anywhere in a character.
"THANK YOU, Zach Creggar!" Back in 2022, this now established star in the horror film genre gave us the quirkily creepy, unexpectedly funny (at times!) cinematic gem that was "Barbarian". It felt like a cool breeze just washed over us as, for ONCE, the much traversed roads these films tend to go with got an upgrade of uniqueness without sacrificing the ambiance of uneasiness you desire.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
Why is 'The Green Knight' so white? People of color are so removed from the origins of 13th century art. We’re looking toward the future, and part of that should be updating aspects of our stories to mirror those evolutions.
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
