Carmen is a gypsy teenager, destined to live a life that is repeated every generation: getting married and raising as many children as possible. But one day she meets Lola, an uncommon gypsy who dreams about going to university, does graffiti and is very different. Carmen quickly develops a complicity with Lola and discovers a world that, inevitably, leads them to be rejected by their families.
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.
This list was made with the intention of celebrating the craft. I love seeing more women of colour on this list than before and more newcomers on the scene as well!
I believe in homages, but there's a proper way to borrow a creative idea instead of making it appear as if you hit the copy and paste button. Most likely, anyone is better off simply reading the books. Or just put on Scream.
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.
The intrepid archaeologist's latest adventure is an exciting, nostalgia-driven exploration of clashing ideologies amid ever-changing social dynamics and technological advancements.
The height of subversive horror cinema is Jennifer’s Body. No, I will never budge on that. Yes, Cabin in The Woods is funny, Scream is very well made, and the Scary Movie franchise is …. there. But nothing is quite as satisfying as watching the teenage succubus that is Jennifer Check rip apart boys. In the post #metoo era where the industry is far from changed, watching revenge flicks like these is probably one of the most cathartic experiences due to the slow-moving progress being made.
