‘The Wrong Missy’ is a Miss
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.

Cargas D’Água” is an authorial and regional Brazilian musical written and directed by Vitor Rocha (author of Casusbelli) which, because it does not need great resources and has a short duration, is nicknamed “a pocket musical”. It's a story that begins right in the middle of Brazil: in the hinterland of Minas Gerais. A boy loses his revered mother and ends up forgetting his own name, because his stepfather, now the only member of the family, only calls him “kid”. But everything changes when he makes a friend, nothing ordinary, a fish, and starts to see his whole story with different eyes. Now he has a mission: to take his friend to see the sea.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
A socially conscious film that draws attention to the plight of American military veterans.
This 2016 winner of an Ophir Award for Best Film focuses on the forbidden romance of a young, Bedouin woman and the ramifications it has for her family, her identity, and her culture.
Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes
If Miguel Alexandre were trying to make a revenge story seem dull without using all the effective formulas that work great in this catchy genre, he could not have accomplished his purpose much better than he unintentionally has in Black Island.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?