Blonde, beautiful and talented, Marion Davies was the first and funniest screwball comedienne. As star of two of the best comedies ever made, Show People and The Patsy, she combined zany slapstick and exuberant mimicry. Glamorous, witty and kind, both on screen and off, Davies was also famous for her 35-year-long love affair with William Randolph Hearst.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.
Carolina Caroline follows Caroline (Samara Weaving), a bored young woman dreaming of escaping a small Texas town where nothing ever happens. When she meets Oliver (Kyle Gallner) at her workplace while he is conning the owner, she sees her perfect opportunity to get out. Their whirlwind romance strongly echoes Bonnie and Clyde, as the two quickly embark on a bank-robbing spree.
So do I recommend that people see this movie, yes 100%, but do I think they are going to come out of it with 80 hot takes, yes 100%.
Ultimately, Wicked is a story about the cost of being othered, the pain of being misnamed, and the quiet revolution of standing in your truth.
By depicting 4 different stories, Director Sergio Tovar Velarde keeps the focus on the shared humanity and search for love (both self and romantic) of various gay Mexican men.
