Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Captive Women poster

Captive Women (1952)

In post-apocalyptic New York, three tribes of survivors (the Norms, the Mutates and the Upriver People) vie for the right to exist. When the treacherous Upriver People attack the Norms, kill their chief and take their people captive, two Norm refugee men must find a way to ally with the Mutates, who have previously kidnapped Norm women in an effort to reproduce healthy children, to rout the Uprivers, who also seek to kill off the Mutates.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


In post-apocalyptic New York, three tribes of survivors (the Norms, the Mutates and the Upriver People) vie for the right to exist. When the treacherous Upriver People attack the Norms, kill their chief and take their people captive, two Norm refugee men must find a way to ally with the Mutates, who have previously kidnapped Norm women in an effort to reproduce healthy children, to rout the Uprivers, who also seek to kill off the Mutates.

Rating:NR
Genre:Science Fiction
Directed By:Stuart Gilmore
Written By:Aubrey Wisberg, Jack Pollexfen
In Theaters:10/10/1952
Box Office:

Runtime:64 minutes
Studio:Albert Zugsmith Productions, RKO Radio Pictures

Articles You May Like


Y tu Mamá También: A Profound Exploration of Mexican Society and Self-Discovery

Years before Mexican director, Alfonso Cuaron, was winning Academy Awards for movies like Gravity (2013) and Roma(2018), he directed a small, intimate film about two best friends who decide to embark on an improvised road trip to spend time with an older, attractive woman who miraculously agrees to go with them. Y tu Mamá También is a deep journey into the raw sexuality and friendship of the young protagonists, as well as a subtle social and political commentary on Mexico at the time.

Raul Flores