Honey Girls Jam Their Hearts Out
A trio of girls form a band and enter a singing competition together after learning they work best as a team.

Instant chronicle of the times we are living, with a world and moral order that seems to falter without letting us glimpse what will come, the strength of the film lies in the use of images destined to disappear, poor images, rescued from mobile phones, social networks, Telegram groups, that no one will bother to archive. The film confronts us with two memories: on the one hand, the memory of the day before yesterday, where a spark emerged that caused everything, and on the other, the memory that we captured without protecting it later, without making it accessible.
A trio of girls form a band and enter a singing competition together after learning they work best as a team.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
'Riders of Justice' perfectly depicts some masculinity problems present in our society. Moreover, it talks about how hard is to lose someone and how different people deal with the situation.
Ever since the mid-’90s, the Mortal Kombat game franchise has seen multiple attempts to make it on the big screen, or at least adapted into other media.
"65" (2023) is the latest Dino flick to try and answer "what else can we do with dinosaurs?"