'Honor Roll Boys' (MiamisFF Review): A Bit of Harmless Fun
Initially feeling like a passionate group having a bit of harmless fun with filmmaking, it leads to something sinister enough to leave a mark.

The largest yakuza organization in Kansai, the Tenma-kai, has broken the agreement and begun advancing into Kanto. Enomoto (Yasukaze Motomiya), the assistant underboss of the Takeda Family in Kanto, is approached by the Tenma-kai with an offer to join them, but he refuses. However, due to a scheme by the Tenma-kai, the Takeda Family’s boss, Takeda Masaki (Nishioka Tokuma), is suddenly arrested on charges of extortion. Additionally, the family’s underboss, Miyamura (Jiro Okazaki), is ambushed and murdered. Enomoto suspects there might be a traitor within the family and begins an independent investigation. The suspects that emerge are the headquarters director Ishibashi Masayuki (Kawamoto Junichi), assistant underboss Sakai Takahiro (Miyamoto Taisei), and the young boss Makabe Mitsuhiro (Takanori Higuchi). One of these three is the betrayer...
Initially feeling like a passionate group having a bit of harmless fun with filmmaking, it leads to something sinister enough to leave a mark.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
In Stowaway, director Joe Penna narrates the story of a starship crew (Anna Kendrick as Zoe Levenson; Toni Collette as Marina Barnett; and Daniel Dae Kim as David Kim) struggling with serious technical problems on a two-year mission to Mars. During the trip, they discover aboard the presence of Michael (Shamier Anderson), a stowaway who jeopardizes everyone’s life on board.