Canalla, el pom de dalt 

By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.

Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.

In 'Little Boxes," an interracial family moves to an all-white town where they face the judgement of others who have never been exposed to people of color before.

Alongside A Drowning Man, I Signed The Petition, 3 Logical Exits, and A World Not Ours, A Man Returned continues to paint a realistic portrait of the Refugee Crisis that eschews the Western gaze and stereotype. These are real portraits painted by a director with lived experience, cultural connection and an amazing eye for visuals.

The sequel to the first film, A Second Chance: Rivals! talks about Maddy combating cyberbullying and racism.

Udo Kier takes center spotlight in 'Swan Song' as Pat Pitsenbarger, a gay beautician who comes out of retirement for one last job and rediscovers himself along the way.