Can We Be Serious (1989)

The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.

Renee Zellweger shines in this Judy Garland biopic, which highlights the pain and loneliness that so many famous women endure.

Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.

Gotham City Sirens needs a female voice behind the camera. So, on the chance someone from DC films is reading this, here are ten female directors who would be good choices for Gotham City Sirens.

As a huge fan of Sean Baker’s Tangerine, The Florida Project, and Red Rocket, I’ve wanted to watch Anora since before it even was released. But life got in the way, my watchlist grew, and honestly, the fact that it was marketed as a romantic comedy put me off. Even with all the critical praise and the five Academy Awards it won last year, I just kept postponing it indefinitely.

This inspiring true story falls nothing short of filling the audience with a passion to strive for their wildest dreams.