The syllabus of Campus Confessions #2 is packed with gorgeous BARELY LEGAL alumnae who are always ready to bone up on Sex Ed. Although these babes sometimes have trouble with the written part of their tests, they always ace the oral exams - and the anal ones too. Threesomes make it easy for these studious sweeties to have fun with numbers, but they know that the best way to keep up their GPAs is to go down on a professor's meaty pointer. Enroll in Campus Confessions #2, and these scholarly sluts will teach you all of their kinkiest study tricks.
In order to learn why an arguably outdated fanfic trope was resurfacing in the contact zone of popular culture, I dove into a vibrant trough of character development.
Even if Drive My Car (2021) doesn't win Best Picture, it exudes a palpable sense of dreariness and lifelessness that is further embodied by Yusuke, portrayed tragically by Hidetoshi Nishijima. Check out movie reviews & summary!
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
It’s easy to dismiss Joel and Ethan Coen for writing from the world they build from outside the box of overarching Hollywood stereotypes, but their inability to compromise their collective vision is precisely what makes the simplistic nature of their world-building and characters so brilliant. It’s also what led Fargo to collect seven Oscar nominations and two wins for Best Original Screenplay and Best Actress for Frances McDormand’s brilliant portrayal of the sincere, motherly detective whose wholesome demeanor seizes the day over the selfishness, corruption and evil of the men who don’t comprehend that there’s more to life than a little money.
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
