Caligula with Mary Beard 

A man invents the internet with the help of an otherworldly force. But he soon learns that not all is what it seems. A delightful sequence of images for a delightful fictional story about what lies behind.

Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.

Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.

There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.

An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.