Once more, Yann is about to leave Calcutta, returning to Paris. He has just dropped off his son with his mother and has one night to wander the streets of the city where he will only be able to come back in a few months.
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?
A collection of the ten best films that captured William Shakespeare’s pathos the best, both for the diversity they bring, and of course “the aesthetic."
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.
In this coming-of-age movie centered around senior prom, Mandy is anxious about her acceptance into Harvard while she realizes she's missing other opportunities.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.
