Gus Van Sant's Constant Thematic and Cinematic Elements
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.

New York 1952. Mickey Jelke inherits a big sum of money and spends his nights in Manhattan, painting the city red. Night after night, he can be found in one Broadway bar or the other, in the company of disreputable persons like pimps and prostitutes. One day,a shady cop, aided by Mickey's own girlfriend, Patricia, decides to accuse him of running a prostitution network. A scandal breaks out.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
The clever but socially-awkward Tetê joins a new school, and she'll do anything to fit in.
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April, a professional dancer, reluctantly trains a group of girls at a dance school for the dance competition.
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