Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Cadavres poster

Cadavres (2009)

Raymond is a jealous, misanthropic, couch potato. Angèle is a sexy TV star, childish and disillusioned. One Halloween, their mother, Solange, suddenly dies. Raymond calls his sister for the first time in 10 years. She agrees to meet him and begins to investigate their mother's death, all in keeping with her TV role of police commissioner. But nothing is simple with the Marchildons. Between a dithering Raymond, the ghost of Solange who continues to haunt her children, and Angèle who's going crazy interviewing suspects, one more bizarre than the next, and the bodies that are filling up the basement, it's hard to keep their love straight. But then, love was always a little twisted in the Marchildon household.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Raymond is a jealous, misanthropic, couch potato. Angèle is a sexy TV star, childish and disillusioned. One Halloween, their mother, Solange, suddenly dies. Raymond calls his sister for the first time in 10 years. She agrees to meet him and begins to investigate their mother's death, all in keeping with her TV role of police commissioner. But nothing is simple with the Marchildons. Between a dithering Raymond, the ghost of Solange who continues to haunt her children, and Angèle who's going crazy interviewing suspects, one more bizarre than the next, and the bodies that are filling up the basement, it's hard to keep their love straight. But then, love was always a little twisted in the Marchildon household.

Rating:
Genre:Comedy
Directed By:Érik Canuel
Written By:Benoît Guichard
In Theaters:2/20/2009
Box Office:

Runtime:117 minutes
Studio:6603301 Canada, Zoofilms

Articles You May Like


'The Half of it' Handles its Presented Social Issues Thoughtfully

The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.

Andrea Amoroso