Getting Lost in Amsterdam
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York

Five Salvadoran saleswomen want to take their cruel life stories to the stage. During the rehearsal process of their play, they’ll discover themselves as victims and victimizers in a cycle of violence that has plagued their families for generations.
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
In the spirit of Halloween, here's a list of body horror films which can be interpreted as trans allegories.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.