‘The World to Come’ Movie Review: A Stunning Period Romance
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.

The film is following the undefined relationship between the two characters, based on autobiographical events and raw dialogues about insecurity, nostalgia. They attempt to explain their thoughts whilst they cook pancakes or take a walk along the river, while being stuck in the feeling of emptiness.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
Turning Red' has received hate for being 'unrelatable' while dealing with one of the most human experiences. Despite the Turning Red controversy that it's unrelatable, it is yet another Pixar classic that will inevitably stand the test of time.
On March 31st, International Trans Day of Visibility, following some COVID related delays, the trailer was finally dropped, and although Taylour Paige and Riley Keough look to impress as lead characters Zola and Stefani, a brief cameo from a queer icon was what convinced me I have to see this movie.
While the film didn’t hit me as emotionally as I wanted it to, I still enjoyed it. I simply wish there was a little more, particularly with the world building.
What makes the lighting in Casablanca even more impressive is how it reflects the emotional states of the characters without needing explicit dialogue.